Continuing the series of music written for the salon, we travel to France for a fascinating glimpse of one of the great figures of 19th-century music: Pauline Viardot. Her delicate drawing-room version of Cinderella, written in 1904, is tinged with the colour and nuance found in the work of Debussy and Satie. 'The presentation rises to Opera Rara's accustomed level of excellence'. - Opera News.