While KIERAN HEBDEN of FRIDGE is busy dressing up his folk-electronica in tasteful jazz as FOUR TET, his fellow band member, ADEM ILHAN, has decided to go naked. Abandoning the instrumentals and concepts, stripping away his surname and his bass lines, ADEM has found his voice and exposed his soul for this debut. Rather than tinkering with tradition, he expands upon it with computer-generated hums andbleeps, tambourines and glockenspiel, warming the stark acoustic sound. Whispering in the direction of THOM YORKE, BOB DYLAN and DAVID KITT, Adem's voice imbues shades of longing with a coarseness and honesty of his own. 'Homesongs' is set in and around the domestic environment from whence it sprang. It is all about the ringing of strings between notes, intakes of breath and old and odd "real" instruments. Harmoniums wheeze into life, an autoharp twangs to the light impact of a pencil, a child's toyclicks, a glockenspiel provides lone accompaniment, and nowhere is a drum -kit to be found. The only wonder is why he left it so long.