Stick with me on this analogy because it's actually very accurate:
Further are a severe expressionist painting - and being an Australian band I'll use Peter Booth as an example: at first glance it's just pure anger - all screaming and superfuzz and double snare action - a derailed train hurtling into nowhere... but then grab a palette knife and scrape away some of the surface tension and you can hear the real beauty of the song (check out the female vocal fadeout on 'Fools In Love', the intro to 'In the Sticks' or 'Wishlist' or most of 'The Last Request'). And the power of Further is when they leap from there and back and then there again.
Fugazi used to be able to do this in the blink of an eye. So did McLusky. Even Magic Dirt could on those early EPs of theirs. Very few can do it.
God knows what they'd sound like live - they'd probably rip your freakin head off! But if you play this one loud enough then the difference will be irrelevant.