Lost Tapes, The - CAN


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The Lost Tapes, out on 15 June 2012, was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore. When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau.
Whilst dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labelling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music. What they found was years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons - soundtracks to films that were never released and tracks that didn't make it onto the final versions of albums due to space.
Irmin Schmidt explains "Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn't allow forgetting." The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Norvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.
Whilst dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labelling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music. What they found was years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons - soundtracks to films that were never released and tracks that didn't make it onto the final versions of albums due to space.
Irmin Schmidt explains "Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn't allow forgetting." The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Norvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.
Track Listing
Disc 1:
- The Loop
- A Swan Is Born
- Abra Cada Braxas
- Dead Pigeon Suite
- Spoon (Live)
- Desert
- Midnight Sky
- The Agreement
- True Story
- Your Friendly Neighbourhood Whore
Disc 2:
- Millionenspiel
- Waiting For The Streetcar
- Evening All Day
- Deadly Doris
- Graublau
- When Darkness Comes
- Blind Mirror Surf
- Oscura Primavera
- Buble Rap
Disc 3:
- Godzilla Fragment
- On The Way To Mother Sky
- Midnight Men
- Networks Of Foam
- Messers, Scissors, Fork And Light
- Barnacles
- E.F.S 108
- Private Nocturnal
- Alice
- Mushroom (Live)
- One More Saturday Night (Live)
![]() ![]() ![]() ![]() ![]() | A brilliant addition to the can catalogue stan on 13.07.2012 A n absolute must for every Can fan & music lover of prog/space/voddoo music . All the peak eras are covered from 68-77 & the price is unbelievable for such quality and quantity ie 3 cd's of Can music at their peak & all 30 songs (over 3 hours of totally unreleased songs) & comes with an excellent & informative book. A Limited edition that might be the very last according to Irmin so buy soon or miss out on one of the best sonic purchases ever. |
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