Rave On Buddy Holly - Various Artists

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Various Artists - Rave On Buddy Holly The catalog of rock 'n' roll pioneer Buddy Holly has continued to thrive long after the singer's life tragically ended at 22, and it will get a fresh look this summer when artists as varied as Cee Lo Green, Kid Rock, Fiona Apple, Modest Mouse, Lou Reed and Paul McCartney will appear on the 19-track collection "Rave On Buddy Holly."

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Format	CD
Available	01-07-2011
Sourced	Australia
	$19.99

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Rave On Buddy Holly 7232670

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The catalogue of rock 'n' roll pioneer Buddy Holly has continued to thrive long after the singer's life tragically ended at 22, and it will get a fresh look this summer when artists as varied as Cee Lo Green, Kid Rock, Fiona Apple, Modest Mouse, Lou Reed and Paul McCartney will appear on the 19-track collection "Rave On Buddy Holly." To be released June 28 by Fantasy Records/Concord Music Group, "Rave On" features recently-recorded takes on Holly classics such as "That'll Be the Day," "Peggy Sue" and "Oh Boy," among others. The set opens with bluesy revivalists the Black Keys tackling "Dearest," and comes to a close with Graham Nash revisiting "Raining In My Heart." In between, the likes of She & Him take on "Oh Boy," Modest Mouse remakes "That'll Be the Day" and Karen Elson, with husband Jack White, refashions "Crying, Waiting, Hoping." Florence + the Machine cover one of Holly's signature songs in "Not Fade Away," and Apple, largely absent since the release of her last album in 2005, teams up again with Jon Brion for "Every Day." McCartney, long a champion of Holly's work (he produced and hosted tribute film "The Real Buddy Holly Story") sings "It's So Easy." The "Rave On" project was overseen by music supervisor Randall Poster. A press release from Concord promises that "Rave On" "steers clear of the reverent re-creations typically found on similar projects." Florence + the Machine, for instance, are said to bring a New Orleans vibe to "Not Fade Away," a song famously covered by the Rolling Stones, and Modest Mouse are teased to bring "That'll Be the Day" into avant-garde territory.