'Sundet', the second album by GUTHER has been created in many different places. In a Swedish summer house, a former broadcast studio in Berlin-Kopenick and in a living room in Hamburg with a view to the garden. The sound between the coast and a close island, the space between two places, between here and there. Within the sound, the waters are calm, the waves undulating. Sometimes however, in rough November nights, the sound is a bleak place, too. And sometimes, at certain moments the sounds form crest. Guitars and even more guitars, sinking voices, a powerful drum set, the Hi-Hat wide open, murmuring atmospherics depicting the undertow. 'Sundet' is a more light-footed, a slightly melancholic companion to its predecessor. Guther play pop music, British pop music in some respect. Every now and then fragile, in a state of suspense, run through by small and big melodies. At times there are any moments consisting of handclaps, hook-lines, and a fine tension until its final euphoria.Intermittently dispersed with the warm, waiting, a soft, precise tact, a soft, present voice. Julia Guther's voice emerges from sound-spirals. Flutes, electronic bits and pieces, a harmonica floating in and out, bass lines and guitar pickings interweaving in a friendly way.